Ruins From the Future starts from the format of the landscape and the elements that compose it as a medium that has served throughout history to speak of the moment, trying to glimpse something of the tomorrow to which this present may lead us. This artistic piece seeks to capture the form of the landscape, rather than its content, as a model for the organisation of thought and a materialisation of knowledge, which in today's context is both a territory to be possessed and an image to be consumed. Through technological tools and artificial intelligence, he proposes an environment from which to look with melancholy at a future we do not yet know and in which technological tools act as a kind of medium to help us glimpse certain scenes from the present. It invites the viewer to observe and connect with this nature that offers us this new contemporary materiality arising from the intersection of our lives in the physical and digital worlds. Ruins From the Future presents an environment that invites melancholy for the unknown future, while connecting the viewer to contemporary nature. Furthermore, this work subverts the process of visual creation, as the images first emerge in the digital world and then materialise as something tangible.
