El extraño, Pablo Álvarez + El gran movimiento, Kiro Russo

El extraño (Pablo Álvarez, 2016, Chili) 25’

Partly a symphony of a city, partly an experimental film and, to some extent, a fake documentary. A set of images show the centre of Santiago at night, to retrace the steps of an absent an anonymous character. Different background voices try to describe this person through unconnected stories and they often contradict each other. The result is the vague reconstruction of an absent man. He is a stranger who embodies a déclassé and careeism character rooted in the depths of Chilean society. A desire to exercise power over the rest shown through different forms of violence.

El gran movimiento (Kiro Russo, 2021, Bolivia) 85’

A symphony of the city in the heights, the illness of a worker, the nightmare and his redemption.