Chenoa, Chenoa, Chenoa, Chenoa!!
Shakira, Shakira, Shakira, Shakira!!
Xuxa, Xuxa, Xuxa, Xuxa!!
Cher, Cher, Cher, Cher!!
Whitney Houston goes up to Amy Winhouse and says: Kurt Cobain!
Michael Jackson dressed as Jimi Hendrix buys a kilo of Grace Jones to prepare some Britney Spears á Le Chic.
Courtney Love goes partying to Opus III with 2 Unlimited and the Spice Girls. They sing Daft Punk songs and get high on Kylie Minogue.
Beyoncé travels to Rihanna, province of Corona, capital of Mecano, where they have some Tina Turners that Céline Dion can only dream about.
Freddie Mercury, Depeche Mode, Pet Shop Boys, Kim Basinger, Justin Timberlake and Nicole Kidman facing a painting by Madonna.
Sigourney Weaver? Europe asks.
Alejandro.... Sanz!!
Angry Sabrina, Rolling Stones, Spandau Ballet, Mina, ay!
Gaynor, Gaga and Zeta-Jones:
Björk!
Guillem Mont de Palol and Jorge Dutor
In #LosMicrófonos, Jorge Dutor and Guillem Mont de Palol immerse themselves in a shared universe, that thing that constantly surrounds us: pop culture. A choreography of names, song titles and choruses where the performers suggest landscapes in which the public enters a field of surprises and deviations, of personal memories and wild associations, creating relationships between the different elements proposed.
How can we become microphones to amplify our discourse? How can we empower pop culture to suggest rhythms, dynamics, sensations and affections with the potential of opening the spectators’ eyes and the ears of those listening?
What does being pop or popular mean?
In '#LosMicrófonos', Jorge Dutor and Guillem Mont de Palol immerse themselves in a shared universe, that thing that constantly surrounds us: pop culture.