Bruno Delgado Ramo (Sevilla, 1991) approaches his interdisciplinary work as investigations based on the experimental, material and spatial practice of cinematographic media, where the ideas of specificity, procedure or spatial reading are important, leading him to consider filming and screening as lighting processes in specific locations and contexts. His practice is focused on films, actions, spatial proposals and publications. His work has been scheduled at the Rotterdam, Pesaro or Vila do Conde festivals; within the framework of Light Field, (S8) Mostra de cinema periférico, Nomadica, San Francisco Cinematheque, WIELS, FRACTO, BIAU XI, Rose Bruford College of Theatre and Performance, INJUVE or BilbaoArte; and alongside the work by Esperanza Collado at Image Forum or the Taipei Contemporary Art Center. In late 2020, with the support of the Project Bank of the Institute of Culture and Arts of Sevilla, he promoted the “kino~okno” initiative, a proposal focused on the mechanical, photochemical and optical roots of film. He recently formed the Las Synergys collective with Paula Guerrero, through which they investigate the convergence of live cinematographic and musical experiences.