After a room (Naomi Pacifique, United Kingdom, Netherlands, Switzerland, 2021) 22’
Nights are long inside Naomi and Ram's room. Tonight, they've invited Marina over and their messy space is under scrutiny.
592 metroz goiti (Maddi Barber, Spain, 2018) 25’
What life chances are left when a territory is completely altered? On the slopes of the Navarrese Pyrenees, the construction of the Itoiz dam in the 1990s flooded seven towns and three nature reserves. Below the level, the water; above, life goes on.
I Am Afraid to Forget your Face (Sameh Alaa, Egypt, France, Belgium, Catar, 2020) 15’
After being separated for 82 days, Adam travels down a rough road to be reunited with the one he loves, whatever it takes.
La colcha y la madre (David Pérez Sañudo, Spain, 2021) 13’
A mother goes to visit her daughter, just as she is about to leave. The daughter is in a hurry: She has quarreled with her husband and if she doesn't get to his new exhibition, the relationship is in danger. But the mother brings her a gift. And some bad news. If she gives her two minutes, she'll tell her.
Noelia (María Alché, Argentina, 2012) 14’
Dusk. Noelia says she was kicked out of her house. She euphorically walks around some places in Buenos Aires. She invents a city that suits her.
Ulises: Telémaco y Penélope (Hikaru Uwagawa, Spain, 2022) 16’
Telemachus awaits the return of his father, who has gone to the other lands. Penelope waits patiently for her husband's return, without complaint, maintaining her chastity and purity, while she is besieged by eager suitors for her beauty.