In this piece, the artist develops sound dramaturgy that explores the ways of bringing together the different voices a person has within. These voices bring messages from the past, as well as future, and are received in the present to make them nearly indecipherable.
The work revolves around the task of making these voices coexist through a collection of heterogeneous busts. Using speakers of different periods, sizes and characteristics, conceived as talking heads, Pausa Pulsar delves into the ways in which the multiple voices a person speaks with converse, creating characters that speak for themselves, and through which others are addressed. The voiceless bodies and disembodied voices put into question what is remembered and what is imagined.
What is the rift like between an actual person and their past and future voices?
Is their past voice a character? Is their future voice a premonition or a desire?
Could the memory of a past voice be the projection of desire?