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V Internationational Film Seminar
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Fith edition of the International Film Seminar in dialogue with the annual exhibition of Tabakalera focused on cinema and visual arts: Zin Ex. From Abstraction to Algorithm. Two filmas as starting point: Film (1965) by Samuel Beckett and Alan Schneider and Deux Fois (1968) by Jackie Raynal. An itinerary-hypothesis: from the spectres to the new cinephilia. And one question: My friend, ¿Where is cinema where?

 

 

 

 

 

 

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V INTERNATIONAL FILM SEMINAR

 

 

WHERE IS CINEMA?

 

 

November 25th-28th 2020

 

 

 

 

 

Dónde / Dónde está / Dónde está la / Dónde está la casa / Dónde está la casa de / Dónde está la casa de mi / Dónde está la casa de mi amiga / Dónde / Dónde está / Dónde está el / Dónde está el cine / Dónde está el cine dentro fuera pasado futuro / Dónde.

 

 

 

 

 

WITH

 

 

Núria Gómez Gabriel / Ángela Millano and Julián Pacomio / Vicente Monroy

 

 

 

 

 

 

 

 

Let's begin with the COVID note:

 

 

These months, while we were organizing the new edition of the film seminar, we closed screening, international guests, round-tables, workshops and guided tours to the exhibition. The current situation makes impossible to develop the program as we were thinking about it and how we imagined it. Because of this, we propose a reduced version that mantains somehow the spirit / ghost / spectre that we wanted to share with the public.  

 

 

 

 

 

Fith edition of the International Film Seminar in dialogue with the annual exhibition of Tabakalera focused on cinema and visual arts: Zin Ex. From abstraction to Algorithm. Two filmas as starting point: Deux Fois (1968) by Jackie Raynal and Film (1965) by Samuel Beckett and Alan Schneider. An itinerary-hypothesis: from the spectres to the new cinephilia. And one question: friend, ¿Where is cinema where?

 

 

The international guests that we wanted to be part of the seminar will be part of our film program the following months, as trips and frontiers go back to normality. There is no rush, and our commitment with our guests is that their proposals and works could be part of our program the next year, because our interest in their work and approach to the cinema goes beyond the seminar's framework.  

 

 

 

 

 

Here you can find the names of no-presences that complete the seminar: Anouk De Clercq, Jun Fujita Hiroshi, Chloé Galibert-Laîné, Rainer Kohlberger and Miren Agur Meabe.

 

 

 

 

 

And here, the final program on its reduced version:

 

 

 

 

 

November 25th, Wednesday, 19:00

 

 

Seminar presentation: Víctor Iriarte and Lur Olaizola.

 

 

Screening: Deux Fois, Jackie Raynal, France, 1968, 63'

 

 

 

 

 

November 26th, Thursday

 

 

12:00-13:00, Guided Tour. Florian Wüst, curator of the exhibition Zin Ex. From Abstraction to Algorithm.

 

 

18:00 Conference: Núria Gómez Gabriel (On-site and Streaming).

 

 

Aquí y ahora, creedme, creednos, nosotrxs, los fantasmas (60').

 

 

19:00 Screening: Ghost dance, Ken McMullen, Germany, UK, 1983, 100’

 

 

 

 

 

November 27th, Friday

 

 

12:00-13:00, Guided Tour. Florian Wüst, curator of the exhibition Zin Ex. From Abstraction to Algorithm.

 

 

19:00, Performance: PSYCHO, Ángela Millano and Julián Pacomio. 50’ (Patio).

 

 

 

 

 

November 28th, Saturday

 

 

12:00-14:00, Conversation between Núria Gómez Gabriel, Ángela Millano, Julián Pacomio and Vicente Monroy moderated by Víctor Iriarte (Z Hall).

 

 

19:00, Conference: Vicente Monroy (On-site and Streaming).

 

 

Contra la cinefilia: Historia de un romance exagerado 60' (Cinema 1).

 

 

Screening: Film, Samuel Beckett, Alan Schneider, EEUU, 1965, 20’

 

 

 

 

 

 

 

 

 

 

 

 

 

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Año
2020
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